Date: Sun, 29 Aug 2004 17:20:24 -0700 (PDT)
From: Andrew Phillips
Subject: Re: [CB] [CB Digest] Possible Eppelsheim Roadshow
I could try to arrange something in my neck of the woods -
Toledo Ohio
--Andrew Phillips
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Date: Sun, 29 Aug 2004 19:07:47 -0700 (PDT)
From: Dean McMakin
Subject: [CB] music
I have been a music librarian for a community band for over
fifteen years. Our group plays a lot of newly published music, and I
have noted changing trends in parts provided by publishers for new band
music. Parts for Eb clarinet, alto clarinet and cornet are often no
longer provided, while publishers are now providing what are called
"world parts." The parts supplied vary from publisher to publisher and
piece to piece. The new world parts being provided are:
- Horns in Eb
- Bb trombones treble clef
- Trombones bass clef transposed to Bb
- Baritone bass clef transposed to Bb
- Tuba in Eb treble clef
- Tuba bass clef transposed to Eb
- Tuba in Bb treble clef
- Tuba bass clef transposed to Eb
I know that contrabass.com has an international following. Can
anyone tell me what countries these parts are being used?
I did this survey on my music library. Our band was founded in
1982, and we do not have a lot of really, really old music. We have 390
pieces in our library. My survey determined that publishers furnish
parts for and composers write for the following instruments:
- A generic "Basses" part: 44%
- Tuba: 31%
- String bass: 68%
- Either contralto or contrabass clarinet: 35%
- Parts provided for both Eb and Bb contra clarinets: 13%
- Contrabassoon: 7%
- Parts provided for both contra clarinets and
contrabassoon: 4%
- Bass saxophone: 14%
This tells me that band composers are still ignorant about
contrabass instruments and their individual capabilities. Keep this
survey in mind the next time you consider inviting a composer of band
music to the party that you're throwing.
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From: "Wik Bohdanowicz"
Subject: Re: [CB] string bass solo tuning
Date: Mon, 30 Aug 2004 03:22:24 +0100
Re-tuining the instrument (often up a tone) was a nasty habit
used before decent strings were around. The Dittersdorf concerto
is one example were the D'Bass part is in D but the orchestral parts
are in E. Some thing to be avoided if possible.
Wik
----- Original Message -----
From: sande hackel
To: contra-new2@contrabass.com
Sent: Saturday, August 28,
2004 2:12 AM
Subject: Re: [CB] string bass
solo tuning
can some one fill me in on the
solo tuning for the string bass? Would most basses NOT be able to be
tuned in the solo tuning? Would a bassist require a specialized
instrument for solo tuning?
sande hackel
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Date: Sun, 29 Aug 2004 20:41:21 -0700
From: "Chuck Guzis"
Subject: Re: [CB] music
On 8/29/2004, Dean McMakin wrote:
>Horns in Eb
>Bb trombones treble clef
>Trombones bass clef transposed to Bb
>Baritone bass clef transposed to Bb
>Tuba in Eb treble clef
>Tuba bass clef transposed to Eb
>Tuba in Bb treble clef
>Tuba bass clef transposed to Eb
>I know that contrabass.com has an international following.
Can anyone tell
>me what countries these parts are being used?
The treble clef transposed parts (as well as the Eb horn parts)
are primarily intended for the brass band crowd, wherein everyone with
the exception of the bass trombone, plays from transposed treble clef
parts in Bb or Eb. The Eb horn parts are issued because brass
bands do not use the "French" horn in F, but rather the upright alto
horn in Eb (called by the British a "tenorhorn" in Eb).
Note that the Eb and Bb tuba parts can differ considerably (not
just by octaves) in the brass band tradition, which is often carried
over to European concert band works.
Sometimes transcription from the brass band versions to BC Bass
in C loses in the translation. For example, if a band wanted to
play the De Meij "Lord of the Rings", I'd advise that the tuba players
inspect the TC Bb and Eb parts carefully to determine how they differ
from the simple "Bass in C" parts.
The transposed bass clef parts seem to be used mainly in the Low
Countries, but I'm not sure if anyone else uses them.
Cheers,
Chuck
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Date: Mon, 30 Aug 2004 05:40:17 -0400
From: Steven Lederman
Subject: Re: [CB] [CB Digest]
I haven't yet received my Genesis CDs, but then again I don't
like Phil Colons, and I didn't order any at the outset. Other than
that, I'd be happy to try and assist in booking some sort of tour for
the new interest parties.
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From: sande hackel
Date: Mon, 30 Aug 2004 08:15:04 EDT
Subject: Re: [CB] string bass solo tuning
Is the solo tuning something that is not used often? Or is
this commonly used for soloists?
Do most players do the Dittersdorf in normal tuning?
sande
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Date: Mon, 30
Aug 2004 06:48:44 -0700 (PDT)
From:
brwmeistr
Subject: Re:
[CB] [CB Digest] Possible Eppelsheim Roadshow
I'd be glad to
help find a hall in Savannah, GA. I sing bass with the Savannah
Choral Society, and am almost certain I know of several places with
fine acoustics such a demo could be done.
Paul Gennrich
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Date: Mon, 30
Aug 2004 17:49:41 +0200
Subject: Re:
[CB] Eppelsheim Roadshow
From: Simon
Bull
We're still
very much in the early planning stage of this. Rough idea is to start
in Seattle, end in Florida, and stop in Iceland on the way home. Timing
is dependent on Benedikt. He is working on filling orders and laying in
stock at the moment, and hopefully in the New Year he will have a
clearer picture of when he can leave the shop, and hit the road.
Then comes the
hard part, planning the route. We can't go zig-zagging all over the
country, obviously, so it could be that not everyone gets their dream
date, so to speak. The Bay Area will be two days after Seattle, with
LA/San Diego next, on to Texas, turn left for Chicago, and so forth,
depending on who wants us.
Let's wait
until Benedikt can give me a better idea of a possible start date, then
I'll ask again for venues, and we can start putting the puzzle together.
Thanks, Simon
--
---------------------------------------------------------
From: "arthur
grossman"
Subject: Re:
[CB] Eppelsheim Roadshow
Date: Mon, 30
Aug 2004 10:44:21 -0700
You say it is
starting in Seattle. Who is organizing it here? I should
certainly be involved.
***End of Contrabass Digest***